JUDY COTTON
SOLO SHOWS:
2019 Pop Up at Atelier Canal. Brooklyn. October. New York.
2018 HIDDEN WATER. Lyman Allyn Museum. CT. 7/7/18- 11/11/18.
20017 IRL Gallery. Miami. Fla Jan,
20016 BUZZ XContemporary Miami Basel.
2015 SKIN – Mitchell Kline. New York.
2006 JG Contemporary, James Graham, New York.
2005 Wagner Gallery, Sydney. Australia.
2003 J G Contemporary / James Graham & Sons. New York.
2003 Alva Gallery, New London. Connecticut.
2003 Burning. Hazelhurst Regional Art Gallery, Sydney. Australia.
2002 Burning. Bathurst Regional Art Gallery, Bathurst. Australia.
2001 James Graham & Sons, New York.
1999 King St Gallery, Sydney, Australia
1999 R & F Gallery, Kingston. N Y.
1998 James Graham & Sons, New York.
1997 King St Gallery, Sydney, Australia.
1995 James Graham & Sons, New York.
1993 James Graham & Sons, New York.
1991 Graham Modern, New York.
1990 D C Art, Sydney, Australia.
1988 D C Art, Sydney, Australia.
1988 Caroline Lee Gallery, Houston, Texas.
1987 Wagner Gallery, Sydney, Australia.
1986 NSW House, London. U K.
1986 Wagner Gallery, Sydney, Australia.
1985 Beadleston Gallery, New York.
1985 Osuna Gallery, Washington D C.
1983 Beadleston Gallery, New York.
1982 Beadleston Gallery, New York.
1982 David Jones Gallery, Sydney. Australia.
1980 Wagner Gallery, Sydney, Australia.
1979 Arts Alliance, Philadelphia.
1971 Haloft Gallery, Bathurst, Australia.
1970 Macquarie Galleries, Canberra. Australia.
1969 Frannell Gallery, Tokyo. Japan.
1968 British Embassy, Seoul. Korea.
1968 Macquarie Galleries, Canberra. Australia.
GROUP SHOWS:
2018 Paper Trail. Florence Griswold Museum CT.
2017 Female/Feminist – Lyme Academy of Fine Art. CT.
2017 Lyme Academy of fine Art – Underneath Them Steady Air. CT.
2016 Pop up. Paynter Gallery. CT.
2012 Shark. MoA Ft Lauderdale. Fla. 13/5/2012 -1/1/ 2013.
2012 New Acquisitions Contemporary Art. New Britain Museum of American Art. CT 1/4/2012 – 7/7/2012.
2011 Art Show. New York. March.
2009 Gaia Global Warming. Jackson, Wy.
2008 Florence Griswold Museum, Old Lyme, CT.
2008 Warm Winds, Reneson and Cotton. Florence Griswold museum. Old Lyme, CT.
2007 Alva Gallery, New London, CT.
2006 FIREWORKS, a traveling exhibition in Australia.
A Collective Endeavor, Florence Griswold Museum, Old Lyme, CT.
2005 Works from Hill End, Cowra Gallery of Art, Australia.
Bathurst Regional Gallery Collection. Australia.
Group Show, Alva Gallery. New London, CT.
Robert Cotton, Judy Cotton. Wagner Gallery, Sydney, Australia.
2004 Wood Work. JG Contemporary NYC.
2003 Uptown/Downtown. JG Contemporary NYC.
Grisaille, JG Contemporary NYC.
4 Centuries of Birds. Clark Galleries. Stowe, VT.
2002 Great River Series, Brattelboro Musuem Vt, T W Wood Museum, Montpelier VT, Montshire Museum, NY, Philadelphia Art Alliance, Florence Griswold Museum, Old Lyme, CT.
2002 Alva Gallery. New London. CT.
2001 Vessels. Alva Gallery. New London. CT.
2000 Fluid Flow. Graham Gallery. New York.
2000 Dogma. King St. Sydney. Australia.
2000 The Art Show. New York.
Erector Square Gallery. New Haven.
1999 King St Gallery. Sydney. Australia.
1999 Cooley Gallery. Lyme. CT.
Alva Gallery, New London. CT.
1999 Cooley Gallery. Old Lyme. CT.
Waxing Poetic, Montclair Museum, N J.
Knoxville Museum of Art. Tn.
1998 Cooley Gallery, Lyme. CT.
1998 Drawings. Graham Gallery. New York.
1997 The Art Show. New York.
1996 Water. Graham Gallery. New York.
1996 Anima Mundi. Graham Gallery. New York.
1996 Flagging Republic. Sherman Galleries. Sydney. Australia.
1995 New Accquisitions. Metropolitan Museum. New York.
1995 Still Life. James Graham & Sons. New York.
1995 Cotton & Cuppaidge. Wagner Gallery. Hong Kong.
1994 Women in the Visual Arts. Erector Square Gallery. New Haven.
1993 Metropolitan Museum, 20th Century Galleries.
1993 Triangle. Kessler Gallery. N.Y.
1993 “Drawings,” Jill Newhouse. New York.
1992 “Triangle Artists,” Kessler Gallery. N.Y.
“Four Australian Painters USA,” Wagner Gallery. Australia.
“Man Revealed,” Graham Modern. New York.
Albright Knox Museum. N.Y.
1991 “Expressive Drawings,” New York Academy. New York.
1990 “Landscape Drawing,” Graham Modern Gallery, New York.
“Material Evidence,” Luise Ross Gallery. New York.
1989 Luise Ross Gallery. New York.
“The Case for Plywood,” Luise Ross Gallery. New York.
1988 D C Art, Sydney. Australia.
1986 Alice Bingham Gallery, Memphis. TN.
Triangle New York Exhibition. New York.
Solander Gallery, A C T. Australia.
Intl. Festival. Molesworth Gallery. Wellington. NZ.
1985 Vanderwoude Tannanbaum Gallery. New York.
Triangle Artist’s Workshop. N Y.
Alice Bingham Gallery, Memphis. TN.
1984 Vanderwoude Tannanbaum Gallery. New York.
“Three Australian Artists,” Nippon Club. New York.
1983 Vanderwoude Tannanbaum Gallery. New York.
Sandra Bertsch Gallery. N Y.
Art Expo, Dallas. Texas.
1983 “Variations,” Cooper Hewitt Museum. New York.
1973 “UN Intl. Young Artists,” New York.
“IMF Collectors,” Washington DC.
1971 Macquarie Galleries, Canberra. Australia.
1970 Macquarie Galleries, Canberra. Australia.
Frannell Gallery, Tokyo, Japan.
1969 Frannell Gallery, Tokyo, Japan.
1968 ASPAC Cultural Centre, Seoul, Korea.
1967 Macquarie Galleries, Canberra. Australia.
COLLECTIONS:
Lyman Allyn Museum of Art. CT.
New Britain Museum of American Art,
Florence Griswold Museum, CT,
Metropolitan Museum of Art,
National Gallery of Australia,
The Phillips Collection, Washington D C
Bathurst Regional Art Gallery, NSW Australia,
New Orleans Museum of Art,
San Francisco Museum of Art,
New York University,
Smithsonian Cooper Hewitt Museum,
NewsAmerica Corp,
Meyerhoff Collection, Irwin Collection, Wolfensohn Foundation, Fairchild Foundation, Levi Foundation, Westpac Bank, Australian Government, Triangle Workshop, Pfziser, Sydney University, numerous Private Collections.
PUBLICATIONS:
2018 The Day
2018 Sam Quigley, Lyman Allyn Museum
2018 Essential Elements. Biography by Diana Simmonds.
2012, July 2 Jaw Dropping Shark Exhibit in Fort Lauderdale.
“Shark” at the Museum of Art Fort Lauderdale”, Susana Navajas, The Global Shark Conservation Initiative
2012, June 17 “Exhibits to sink your teeth into”, John Coppola, Miami Herald
2012, May SHARK, Richard Ellis, Museum of Art Fort Lauderdale
2012, April “Imagining Jaws”, Richard Ellis, Natural History Magazine
2011 Degas, Boston Globe Blog. “Artists do it Better”. 11/20/2011
2011 Nature Morte, Sebastian Smee
2009 Gaia & Global Warming.
2008, September 4 “Warm Winds Bring Tropics to FlorenceGriswoldMuseum”, Amy J. Barry,The Lyme Times
2008, August 2 Warm Winds: Connecticut Artists in the Tropics Graham & Sons
2007“Australian artists in the United States ofAmerica”,IngridPeriz,Art & Australia
2007, July“At Home with the Olsens”, Nigel Hopkins, SA Life James
2006Lowery Stokes Sims, Judy Cotton Niagaras and Dog Days,
2005, March 22 “Cotton print”, Diana Bagnall, The Bulletin
2005, March 20 “The Cottons”, Julie Copeland, Sunday MorningRadio National
2005, March 17 “The shape of private memories”, Sebastian Smee,The Australian
2005, March 8 “Straight to the heart of landscape and people”, RobertMcFarlane, The Sydney Morning Herald
2005, March 5 “Judy Cotton & Sir Robert Cotton”, Wagner ArtGallery
2005, March 4 “Cotton Club Celebrates twin talents”, SusanWyndham, The Sydney Morning Herald
2005“Fireworks”, Gavin Wilson
2003“Museum Madness”, Suzanne LaBranche, Legends Magazine
2003, November 13 “Down by the river at the Florence Griswold Museum”, Main Street News
2003, October“Judy Cotton”, James Graham & Sons, Art in America
2003, October 26 “The River: An Object of Beauty, and a Mode ofTransportation”, Benjamin Genocchio,The New York Times
2003, May“What’s on Elsewhere”, Art Gallery of NSW
2000, December“Canis Serialis: Recent Paintings of Judith Cotton”, Lowery Stokes Sims
2000, August“Vessels: An Interpretive Celebration of OpSail 2000”, Connecticut
1999“Improvised Images in Molted Wax, as Fluid as Jazz”, Edward M. Gomez, The New York Times
1999, July 30 “A Garden of Subject”, Holland Cotter, The New York Times
1999, June 6 “Wax as a Medium and a Message”, William Zimmer, The New York Times
1999, May“Waxing Poetic, Encaustic Art in America”, Gail Stavitsky, The Montclair Art Museum
1999, March 7 “Once-Neglected Medium Takes on New Life”, Barry Schwabsky, The New York Times
1999“Judy Cotton”, King Street Gallery, Art & Australia
1998, November“Oar d’oeuvres”, Kathi Norklum, Woodstock Times
1998, October 3rdJudith Cotton Waxed Works, The Gallery at R&F
1998, May“Galleries: Uptown”, New Yorker
1998, March 27 “Galleries: Uptown”, The New York Times
1997, November 25 “International artistic espionage”, Maria Prerauer, The Bulletin
1995“Ned Kelly”, Deborah Jones
1995, October 5thJudith Cotton: New Paintings, James Graham & Sons
1994“Friends In Deed”, Brook Turner, The Australian Financial Review Magazine
1994, December 27 “Cotton Candour”, Diana Simmonds, The Bulletin
1994, May“Reviews: Judith Cotton”, Artnews
1994, February 20 “Australian artist’s career boosted by recent success”, Judith Ahern, Canberra Times
1993, Text, Lowery Stokes Sims, The Metropolitan Museum of Art
1993, December“Making Waves”, JW, Vogue Australia
1993, December“Judith Cotton”, Peter Slatin, Artnews
1993, September 21 Maria Prerauer, The Bulletin
1993, September 11 The Loneliness of the Long Distance Painter, Lowery S. Sims.
1993, August “Submarine Paintings”, Culture Australia
1993, August “The Swimmer and the Ocean theme for artist”, Australian Cultural News
1992, “On painting away from home”, Helen Ashton, Oz Arts Magazine
1992, July 10 “The Distant View”, Lynette Fern, Sydney Morning Herald
1992, June 30 “Four Australian Artists Living in the U.S.A.”, Morris L. West, Wagner Art Gallery
1992, June 27thThe Australian Magazine
1991 “Tick Attack”, Andrew Rankin, The Australian Magazine
1990, November“Judy Cotton’s approach to art reflects her double life”, Anthony Browell, Vogue Australia
1989, April 4 “The case for Plywood”, John Russell, The New York Times
1988, November“Deft Steppers; Hefty Nudes”, Kate Jennings, Vogue Australia
1986“Outlook”, Rene Joseph
1986“Oz artist bites the”, Pat Dasey
1986“A Manhattan Town House’
1986, June“the golden moment it’s the Cotton club”, Australian Vogue
1986, March 1st “An ambiguous”, Elwyn Lynn, Weekend Australian
1986, February 21st“Galleries”, John McDonald, The Sydney Morning Herald
1984“From The Nippon Club’s American Correspondent”, Lois Gifford
1984“Australia- New York”, Mary Lee Thompson, Art & Australia
1984, September “People”, Vogue Australia
1984, SeptemberVogue Australia
1984, April“Australia/New York/Japan”, Toru Mano, Gallery Report
1983, July 15 “Judy paints in the quiet”
1983 “Exhibition Commentary”, Art & Australia
1982The Sunday Johnson Report, Judy Johnson
1982, July“On Cotton”, Anne Truitt
1980, March “What’s now, what’s new”, Lee Tulloch, Vogue
1980, May 10 “The week in art”, Nancy Borlase, The Sydney Morning Herald
1978, June 12 “Judy Cotton Picks- And Paints- New York”, Don Riseborough, Woman’s Day
1973Group Exhibit catalogue, UN International Young Artists, New York
1973, June 20 “Artist Finds Her Mecca”, Adele Horin, Australian Woman’s Weekly
1972, June 11 “Collectors’ Items”, The Art Society of the International Monetary Fund
1971“Exploring line and color”
1971, October 23rd“Hayloft Display by Judy North”, Western Advocate
1970“Editorial”, Art & Australia
1970, November 17 “She says it with paint”, Judith Henderson, Canberra News
1970, November 17 “For the sake of a dream”, Nigel Murray-Harvey, Canberra Times
1970, November 17 “Weekend scene in Canberra”, Canberra Times
1970, November 16 Canberra Times
1970, November 12 “First solo show in Canberra”, The Courier
1969 “A Bird Watcher in Korea or Keep on the Grass, There’s a Bird- Watcher in the Bushes”, M.E.J. Gore, Women’s News
1969“The Birds of Korea”, M.E.J. Gore and Won, Pyong-Oh
1969“Here in Tokyo”, Jane Rees, Asahi Evening News
1969 December “The Japanese Art Scene”, Judy North, Vogue Australia
1969, December“Australian Painter”, Asahi Evening News
1969, April“People are Talking About…”, Vogue Australia
1969, March“Exhibitions by Women: Sad and Tragic and Mad”, Jennifer S. Byrd, Japan Times
1969, February 24 “Australian Painter Judy North’s Work to be Shown”, Mainichi Daily News
1969, February 20 “Judy North to Open Show Here”, Asahi Evening News
1969, FebruaryKyoiku Gakujutsu News
1968 “Painting Exhibit”, Korea Herald
1968 “The Shifting Reality”, Yuki Revelle, Korea Times
1968 “Two Man Show opens the 1968 gallery season”
1968 “Canberra artists’ show”, The Canberra Times
1968 Roslyn Parkinson, Exhibition at Theatre Centre Gallery
1968, DecemberDonga Ilbo
1968, DecemberDonga Ilbo
1968, March Art & Australia
1968, March “A Vernissage in Canberra”, Vogue’s Notebook
1968, February 13 John Coburn, Canberra Technical College
1968, February“Modern in the best sense”, Frank Keane, The Canberra Times
1968, February“Judy’s Print Makes it to Paris”, News for Women
1967, November 30 L.S. Churchland, Canberra Technical College
1967, August 2nd“New Prize Show”, Donald Brook, The Canberra Time
SOLO SHOWS:
2019 Pop Up at Atelier Canal. Brooklyn. October. New York.
2018 HIDDEN WATER. Lyman Allyn Museum. CT. 7/7/18- 11/11/18.
20017 IRL Gallery. Miami. Fla Jan,
20016 BUZZ XContemporary Miami Basel.
2015 SKIN – Mitchell Kline. New York.
2006 JG Contemporary, James Graham, New York.
2005 Wagner Gallery, Sydney. Australia.
2003 J G Contemporary / James Graham & Sons. New York.
2003 Alva Gallery, New London. Connecticut.
2003 Burning. Hazelhurst Regional Art Gallery, Sydney. Australia.
2002 Burning. Bathurst Regional Art Gallery, Bathurst. Australia.
2001 James Graham & Sons, New York.
1999 King St Gallery, Sydney, Australia
1999 R & F Gallery, Kingston. N Y.
1998 James Graham & Sons, New York.
1997 King St Gallery, Sydney, Australia.
1995 James Graham & Sons, New York.
1993 James Graham & Sons, New York.
1991 Graham Modern, New York.
1990 D C Art, Sydney, Australia.
1988 D C Art, Sydney, Australia.
1988 Caroline Lee Gallery, Houston, Texas.
1987 Wagner Gallery, Sydney, Australia.
1986 NSW House, London. U K.
1986 Wagner Gallery, Sydney, Australia.
1985 Beadleston Gallery, New York.
1985 Osuna Gallery, Washington D C.
1983 Beadleston Gallery, New York.
1982 Beadleston Gallery, New York.
1982 David Jones Gallery, Sydney. Australia.
1980 Wagner Gallery, Sydney, Australia.
1979 Arts Alliance, Philadelphia.
1971 Haloft Gallery, Bathurst, Australia.
1970 Macquarie Galleries, Canberra. Australia.
1969 Frannell Gallery, Tokyo. Japan.
1968 British Embassy, Seoul. Korea.
1968 Macquarie Galleries, Canberra. Australia.
GROUP SHOWS:
2018 Paper Trail. Florence Griswold Museum CT.
2017 Female/Feminist – Lyme Academy of Fine Art. CT.
2017 Lyme Academy of fine Art – Underneath Them Steady Air. CT.
2016 Pop up. Paynter Gallery. CT.
2012 Shark. MoA Ft Lauderdale. Fla. 13/5/2012 -1/1/ 2013.
2012 New Acquisitions Contemporary Art. New Britain Museum of American Art. CT 1/4/2012 – 7/7/2012.
2011 Art Show. New York. March.
2009 Gaia Global Warming. Jackson, Wy.
2008 Florence Griswold Museum, Old Lyme, CT.
2008 Warm Winds, Reneson and Cotton. Florence Griswold museum. Old Lyme, CT.
2007 Alva Gallery, New London, CT.
2006 FIREWORKS, a traveling exhibition in Australia.
A Collective Endeavor, Florence Griswold Museum, Old Lyme, CT.
2005 Works from Hill End, Cowra Gallery of Art, Australia.
Bathurst Regional Gallery Collection. Australia.
Group Show, Alva Gallery. New London, CT.
Robert Cotton, Judy Cotton. Wagner Gallery, Sydney, Australia.
2004 Wood Work. JG Contemporary NYC.
2003 Uptown/Downtown. JG Contemporary NYC.
Grisaille, JG Contemporary NYC.
4 Centuries of Birds. Clark Galleries. Stowe, VT.
2002 Great River Series, Brattelboro Musuem Vt, T W Wood Museum, Montpelier VT, Montshire Museum, NY, Philadelphia Art Alliance, Florence Griswold Museum, Old Lyme, CT.
2002 Alva Gallery. New London. CT.
2001 Vessels. Alva Gallery. New London. CT.
2000 Fluid Flow. Graham Gallery. New York.
2000 Dogma. King St. Sydney. Australia.
2000 The Art Show. New York.
Erector Square Gallery. New Haven.
1999 King St Gallery. Sydney. Australia.
1999 Cooley Gallery. Lyme. CT.
Alva Gallery, New London. CT.
1999 Cooley Gallery. Old Lyme. CT.
Waxing Poetic, Montclair Museum, N J.
Knoxville Museum of Art. Tn.
1998 Cooley Gallery, Lyme. CT.
1998 Drawings. Graham Gallery. New York.
1997 The Art Show. New York.
1996 Water. Graham Gallery. New York.
1996 Anima Mundi. Graham Gallery. New York.
1996 Flagging Republic. Sherman Galleries. Sydney. Australia.
1995 New Accquisitions. Metropolitan Museum. New York.
1995 Still Life. James Graham & Sons. New York.
1995 Cotton & Cuppaidge. Wagner Gallery. Hong Kong.
1994 Women in the Visual Arts. Erector Square Gallery. New Haven.
1993 Metropolitan Museum, 20th Century Galleries.
1993 Triangle. Kessler Gallery. N.Y.
1993 “Drawings,” Jill Newhouse. New York.
1992 “Triangle Artists,” Kessler Gallery. N.Y.
“Four Australian Painters USA,” Wagner Gallery. Australia.
“Man Revealed,” Graham Modern. New York.
Albright Knox Museum. N.Y.
1991 “Expressive Drawings,” New York Academy. New York.
1990 “Landscape Drawing,” Graham Modern Gallery, New York.
“Material Evidence,” Luise Ross Gallery. New York.
1989 Luise Ross Gallery. New York.
“The Case for Plywood,” Luise Ross Gallery. New York.
1988 D C Art, Sydney. Australia.
1986 Alice Bingham Gallery, Memphis. TN.
Triangle New York Exhibition. New York.
Solander Gallery, A C T. Australia.
Intl. Festival. Molesworth Gallery. Wellington. NZ.
1985 Vanderwoude Tannanbaum Gallery. New York.
Triangle Artist’s Workshop. N Y.
Alice Bingham Gallery, Memphis. TN.
1984 Vanderwoude Tannanbaum Gallery. New York.
“Three Australian Artists,” Nippon Club. New York.
1983 Vanderwoude Tannanbaum Gallery. New York.
Sandra Bertsch Gallery. N Y.
Art Expo, Dallas. Texas.
1983 “Variations,” Cooper Hewitt Museum. New York.
1973 “UN Intl. Young Artists,” New York.
“IMF Collectors,” Washington DC.
1971 Macquarie Galleries, Canberra. Australia.
1970 Macquarie Galleries, Canberra. Australia.
Frannell Gallery, Tokyo, Japan.
1969 Frannell Gallery, Tokyo, Japan.
1968 ASPAC Cultural Centre, Seoul, Korea.
1967 Macquarie Galleries, Canberra. Australia.
COLLECTIONS:
Lyman Allyn Museum of Art. CT.
New Britain Museum of American Art,
Florence Griswold Museum, CT,
Metropolitan Museum of Art,
National Gallery of Australia,
The Phillips Collection, Washington D C
Bathurst Regional Art Gallery, NSW Australia,
New Orleans Museum of Art,
San Francisco Museum of Art,
New York University,
Smithsonian Cooper Hewitt Museum,
NewsAmerica Corp,
Meyerhoff Collection, Irwin Collection, Wolfensohn Foundation, Fairchild Foundation, Levi Foundation, Westpac Bank, Australian Government, Triangle Workshop, Pfziser, Sydney University, numerous Private Collections.
PUBLICATIONS:
2018 The Day
2018 Sam Quigley, Lyman Allyn Museum
2018 Essential Elements. Biography by Diana Simmonds.
2012, July 2 Jaw Dropping Shark Exhibit in Fort Lauderdale.
“Shark” at the Museum of Art Fort Lauderdale”, Susana Navajas, The Global Shark Conservation Initiative
2012, June 17 “Exhibits to sink your teeth into”, John Coppola, Miami Herald
2012, May SHARK, Richard Ellis, Museum of Art Fort Lauderdale
2012, April “Imagining Jaws”, Richard Ellis, Natural History Magazine
2011 Degas, Boston Globe Blog. “Artists do it Better”. 11/20/2011
2011 Nature Morte, Sebastian Smee
2009 Gaia & Global Warming.
2008, September 4 “Warm Winds Bring Tropics to FlorenceGriswoldMuseum”, Amy J. Barry,The Lyme Times
2008, August 2 Warm Winds: Connecticut Artists in the Tropics Graham & Sons
2007“Australian artists in the United States ofAmerica”,IngridPeriz,Art & Australia
2007, July“At Home with the Olsens”, Nigel Hopkins, SA Life James
2006Lowery Stokes Sims, Judy Cotton Niagaras and Dog Days,
2005, March 22 “Cotton print”, Diana Bagnall, The Bulletin
2005, March 20 “The Cottons”, Julie Copeland, Sunday MorningRadio National
2005, March 17 “The shape of private memories”, Sebastian Smee,The Australian
2005, March 8 “Straight to the heart of landscape and people”, RobertMcFarlane, The Sydney Morning Herald
2005, March 5 “Judy Cotton & Sir Robert Cotton”, Wagner ArtGallery
2005, March 4 “Cotton Club Celebrates twin talents”, SusanWyndham, The Sydney Morning Herald
2005“Fireworks”, Gavin Wilson
2003“Museum Madness”, Suzanne LaBranche, Legends Magazine
2003, November 13 “Down by the river at the Florence Griswold Museum”, Main Street News
2003, October“Judy Cotton”, James Graham & Sons, Art in America
2003, October 26 “The River: An Object of Beauty, and a Mode ofTransportation”, Benjamin Genocchio,The New York Times
2003, May“What’s on Elsewhere”, Art Gallery of NSW
2000, December“Canis Serialis: Recent Paintings of Judith Cotton”, Lowery Stokes Sims
2000, August“Vessels: An Interpretive Celebration of OpSail 2000”, Connecticut
1999“Improvised Images in Molted Wax, as Fluid as Jazz”, Edward M. Gomez, The New York Times
1999, July 30 “A Garden of Subject”, Holland Cotter, The New York Times
1999, June 6 “Wax as a Medium and a Message”, William Zimmer, The New York Times
1999, May“Waxing Poetic, Encaustic Art in America”, Gail Stavitsky, The Montclair Art Museum
1999, March 7 “Once-Neglected Medium Takes on New Life”, Barry Schwabsky, The New York Times
1999“Judy Cotton”, King Street Gallery, Art & Australia
1998, November“Oar d’oeuvres”, Kathi Norklum, Woodstock Times
1998, October 3rdJudith Cotton Waxed Works, The Gallery at R&F
1998, May“Galleries: Uptown”, New Yorker
1998, March 27 “Galleries: Uptown”, The New York Times
1997, November 25 “International artistic espionage”, Maria Prerauer, The Bulletin
1995“Ned Kelly”, Deborah Jones
1995, October 5thJudith Cotton: New Paintings, James Graham & Sons
1994“Friends In Deed”, Brook Turner, The Australian Financial Review Magazine
1994, December 27 “Cotton Candour”, Diana Simmonds, The Bulletin
1994, May“Reviews: Judith Cotton”, Artnews
1994, February 20 “Australian artist’s career boosted by recent success”, Judith Ahern, Canberra Times
1993, Text, Lowery Stokes Sims, The Metropolitan Museum of Art
1993, December“Making Waves”, JW, Vogue Australia
1993, December“Judith Cotton”, Peter Slatin, Artnews
1993, September 21 Maria Prerauer, The Bulletin
1993, September 11 The Loneliness of the Long Distance Painter, Lowery S. Sims.
1993, August “Submarine Paintings”, Culture Australia
1993, August “The Swimmer and the Ocean theme for artist”, Australian Cultural News
1992, “On painting away from home”, Helen Ashton, Oz Arts Magazine
1992, July 10 “The Distant View”, Lynette Fern, Sydney Morning Herald
1992, June 30 “Four Australian Artists Living in the U.S.A.”, Morris L. West, Wagner Art Gallery
1992, June 27thThe Australian Magazine
1991 “Tick Attack”, Andrew Rankin, The Australian Magazine
1990, November“Judy Cotton’s approach to art reflects her double life”, Anthony Browell, Vogue Australia
1989, April 4 “The case for Plywood”, John Russell, The New York Times
1988, November“Deft Steppers; Hefty Nudes”, Kate Jennings, Vogue Australia
1986“Outlook”, Rene Joseph
1986“Oz artist bites the”, Pat Dasey
1986“A Manhattan Town House’
1986, June“the golden moment it’s the Cotton club”, Australian Vogue
1986, March 1st “An ambiguous”, Elwyn Lynn, Weekend Australian
1986, February 21st“Galleries”, John McDonald, The Sydney Morning Herald
1984“From The Nippon Club’s American Correspondent”, Lois Gifford
1984“Australia- New York”, Mary Lee Thompson, Art & Australia
1984, September “People”, Vogue Australia
1984, SeptemberVogue Australia
1984, April“Australia/New York/Japan”, Toru Mano, Gallery Report
1983, July 15 “Judy paints in the quiet”
1983 “Exhibition Commentary”, Art & Australia
1982The Sunday Johnson Report, Judy Johnson
1982, July“On Cotton”, Anne Truitt
1980, March “What’s now, what’s new”, Lee Tulloch, Vogue
1980, May 10 “The week in art”, Nancy Borlase, The Sydney Morning Herald
1978, June 12 “Judy Cotton Picks- And Paints- New York”, Don Riseborough, Woman’s Day
1973Group Exhibit catalogue, UN International Young Artists, New York
1973, June 20 “Artist Finds Her Mecca”, Adele Horin, Australian Woman’s Weekly
1972, June 11 “Collectors’ Items”, The Art Society of the International Monetary Fund
1971“Exploring line and color”
1971, October 23rd“Hayloft Display by Judy North”, Western Advocate
1970“Editorial”, Art & Australia
1970, November 17 “She says it with paint”, Judith Henderson, Canberra News
1970, November 17 “For the sake of a dream”, Nigel Murray-Harvey, Canberra Times
1970, November 17 “Weekend scene in Canberra”, Canberra Times
1970, November 16 Canberra Times
1970, November 12 “First solo show in Canberra”, The Courier
1969 “A Bird Watcher in Korea or Keep on the Grass, There’s a Bird- Watcher in the Bushes”, M.E.J. Gore, Women’s News
1969“The Birds of Korea”, M.E.J. Gore and Won, Pyong-Oh
1969“Here in Tokyo”, Jane Rees, Asahi Evening News
1969 December “The Japanese Art Scene”, Judy North, Vogue Australia
1969, December“Australian Painter”, Asahi Evening News
1969, April“People are Talking About…”, Vogue Australia
1969, March“Exhibitions by Women: Sad and Tragic and Mad”, Jennifer S. Byrd, Japan Times
1969, February 24 “Australian Painter Judy North’s Work to be Shown”, Mainichi Daily News
1969, February 20 “Judy North to Open Show Here”, Asahi Evening News
1969, FebruaryKyoiku Gakujutsu News
1968 “Painting Exhibit”, Korea Herald
1968 “The Shifting Reality”, Yuki Revelle, Korea Times
1968 “Two Man Show opens the 1968 gallery season”
1968 “Canberra artists’ show”, The Canberra Times
1968 Roslyn Parkinson, Exhibition at Theatre Centre Gallery
1968, DecemberDonga Ilbo
1968, DecemberDonga Ilbo
1968, March Art & Australia
1968, March “A Vernissage in Canberra”, Vogue’s Notebook
1968, February 13 John Coburn, Canberra Technical College
1968, February“Modern in the best sense”, Frank Keane, The Canberra Times
1968, February“Judy’s Print Makes it to Paris”, News for Women
1967, November 30 L.S. Churchland, Canberra Technical College
1967, August 2nd“New Prize Show”, Donald Brook, The Canberra Time