EXHIBITIONS
Solo shows
2022 REFLECTIONS- Lyman Allyn Museum 9/14-10/11-22
2019 LOSS - Atelier Canal. Brooklyn. New York. October 17-27
2018 HIDDEN WATER. Lyman Allyn Museum. Ct. 7/7/18- 11/11/18.
2017 IRL Gallery. Miami. Fla Jan,
2016 BUZZ XContemporary Miami Basel.
2015 SKIN – Mitchell Kline. New York.
2006 JG Contemporary, James Graham, New York.
2005 Wagner Gallery, Sydney. Australia.
2003 J G Contemporary / James Graham & Sons. New York.
2003 Alva Gallery, New London. Connecticut.
2003 Burning. Hazelhurst Regional Art Gallery, Sydney. Australia.
2002 Burning. Bathurst Regional Art Gallery, Bathurst. Australia.
2001 James Graham & Sons, New York.
1999 King St Gallery, Sydney, Australia
1999 R & F Gallery, Kingston. N Y.
1998 James Graham & Sons, New York.
1997 King St Gallery, Sydney, Australia.
1995 James Graham & Sons, New York.
1993 James Graham & Sons, New York.
1991 Graham Modern, New York.
1990 D C Art, Sydney, Australia.
1988 D C Art, Sydney, Australia.
1988 Caroline Lee Gallery, Houston, Texas.
1987 Wagner Gallery, Sydney, Australia.
1986 NSW House, London. U K.
1986 Wagner Gallery, Sydney, Australia.
1985 Beadleston Gallery, New York.
1985 Osuna Gallery, Washington D C.
1983 Beadleston Gallery, New York.
1982 Beadleston Gallery, New York.
1982 David Jones Gallery, Sydney. Australia.
1980 Wagner Gallery, Sydney, Australia.
1979 Arts Alliance, Philadelphia.
1971 Haloft Gallery, Bathurst, Australia.
1970 Macquarie Galleries, Canberra. Australia.
1969 Frannell Gallery, Tokyo. Japan.
1968 British Embassy, Seoul. Korea.
1968 Macquarie Galleries, Canberra. Australia.
2019 LOSS - Atelier Canal. Brooklyn. New York. October 17-27
2018 HIDDEN WATER. Lyman Allyn Museum. Ct. 7/7/18- 11/11/18.
2017 IRL Gallery. Miami. Fla Jan,
2016 BUZZ XContemporary Miami Basel.
2015 SKIN – Mitchell Kline. New York.
2006 JG Contemporary, James Graham, New York.
2005 Wagner Gallery, Sydney. Australia.
2003 J G Contemporary / James Graham & Sons. New York.
2003 Alva Gallery, New London. Connecticut.
2003 Burning. Hazelhurst Regional Art Gallery, Sydney. Australia.
2002 Burning. Bathurst Regional Art Gallery, Bathurst. Australia.
2001 James Graham & Sons, New York.
1999 King St Gallery, Sydney, Australia
1999 R & F Gallery, Kingston. N Y.
1998 James Graham & Sons, New York.
1997 King St Gallery, Sydney, Australia.
1995 James Graham & Sons, New York.
1993 James Graham & Sons, New York.
1991 Graham Modern, New York.
1990 D C Art, Sydney, Australia.
1988 D C Art, Sydney, Australia.
1988 Caroline Lee Gallery, Houston, Texas.
1987 Wagner Gallery, Sydney, Australia.
1986 NSW House, London. U K.
1986 Wagner Gallery, Sydney, Australia.
1985 Beadleston Gallery, New York.
1985 Osuna Gallery, Washington D C.
1983 Beadleston Gallery, New York.
1982 Beadleston Gallery, New York.
1982 David Jones Gallery, Sydney. Australia.
1980 Wagner Gallery, Sydney, Australia.
1979 Arts Alliance, Philadelphia.
1971 Haloft Gallery, Bathurst, Australia.
1970 Macquarie Galleries, Canberra. Australia.
1969 Frannell Gallery, Tokyo. Japan.
1968 British Embassy, Seoul. Korea.
1968 Macquarie Galleries, Canberra. Australia.
Group shows2021 Social and Solitary- Florence Griswold Museum CT
2018 Paper Trail. Florence Griswold Museum Ct. 2017 Female/Feminist – Lyme Academy of Fine Art. Ct. 2017 Lyme Academy of fine Art – Underneath Them Steady Air. Ct. 2016 Pop up. Paynter Gallery. Ct. 2012 Shark. MoA Ft Lauderdale. Fla. 13/5/2012 -1/1/ 2013. 2012 New Acquisitions Contemporary Art. New Britain Museum of American Art. Ct 1/4/2012 – 7/7/2012. 2011 Art Show. New York. March. 2009 Gaia Global Warming. Jackson, Wy. 2008 Florence Griswold Museum, Old Lyme, Ct. 2008 Warm Winds, Reneson and Cotton. Florence Griswold museum. Old Lyme, CT. 2007 Alva Gallery, New London, CT. 2006 FIREWORKS, a traveling exhibition in Australia. A Collective Endeavor, Florence Griswold Museum, Old Lyme, CT. 2005 Works from Hill End, Cowra Gallery of Art, Australia. Bathurst Regional Gallery Collection. Australia. Group Show, Alva Gallery. New London, CT. Robert Cotton, Judy Cotton. Wagner Gallery, Sydney, Australia. 2004 Wood Work. JG Contemporary NYC. 2003 Uptown/Downtown. JG Contemporary NYC. Grisaille, JG Contemporary NYC. 4 Centuries of Birds. Clark Galleries. Stowe, VT. 2002 Great River Series, Brattelboro Musuem Vt, T W Wood Museum, Montpelier VT, Montshire Museum, NY, Philadelphia Art Alliance, Florence Griswold Museum, Old Lyme, Ct. 2002 Alva Gallery. New London. Ct. 2001 Vessels. Alva Gallery. New London. CT. 2000 Fluid Flow. Graham Gallery. New York. 2000 Dogma. King St. Sydney. Australia. 2000 The Art Show. New York. Erector Square Gallery. New Haven. 1999 King St Gallery. Sydney. Australia. 1999 Cooley Gallery. Lyme. Ct. Alva Gallery, New London. Ct. 1999 Cooley Gallery. Old Lyme. Ct. Waxing Poetic, Montclair Museum, N J. Knoxville Museum of Art. Tn. 1998 Cooley Gallery, Lyme. Ct. 1998 Drawings. Graham Gallery. New York. 1997 The Art Show. New York. 1996 Water. Graham Gallery. New York. 1996 Anima Mundi. Graham Gallery. New York. 1996 Flagging Republic. Sherman Galleries. Sydney. Australia. 1995 New Accquisitions. Metropolitan Museum. New York. 1995 Still Life. James Graham & Sons. New York. 1995 Cotton & Cuppaidge. Wagner Gallery. Hong Kong. 1994 Women in the Visual Arts. Erector Square Gallery. New Haven. 1993 Metropolitan Museum, 20th Century Galleries. 1993 Triangle. Kessler Gallery. N.Y. 1993 “Drawings,” Jill Newhouse. New York. 1992 “Triangle Artists,” Kessler Gallery. N.Y. “Four Australian Painters USA,” Wagner Gallery. Australia. “Man Revealed,” Graham Modern. New York. Albright Knox Museum. N.Y. 1991 “Expressive Drawings,” New York Academy. New York. 1990 “Landscape Drawing,” Graham Modern Gallery, New York. “Material Evidence,” Luise Ross Gallery. New York. 1989 Luise Ross Gallery. New York. “The Case for Plywood,” Luise Ross Gallery. New York. 1988 D C Art, Sydney. Australia. 1986 Alice Bingham Gallery, Memphis. TN. Triangle New York Exhibition. New York. Solander Gallery, A C T. Australia. Intl. Festival. Molesworth Gallery. Wellington. NZ. 1985 Vanderwoude Tannanbaum Gallery. New York. Triangle Artist’s Workshop. N Y. Alice Bingham Gallery, Memphis. TN. 1984 Vanderwoude Tannanbaum Gallery. New York. “Three Australian Artists,” Nippon Club. New York. 1983 Vanderwoude Tannanbaum Gallery. New York. Sandra Bertsch Gallery. N Y. Art Expo, Dallas. Texas. 1983 “Variations,” Cooper Hewitt Museum. New York. 1973 “UN Intl. Young Artists,” New York. “IMF Collectors,” Washington DC. 1971 Macquarie Galleries, Canberra. Australia. 1970 Macquarie Galleries, Canberra. Australia. Frannell Gallery, Tokyo, Japan. 1969 Frannell Gallery, Tokyo, Japan. 1968 ASPAC Cultural Centre, Seoul, Korea. 1967 Macquarie Galleries, Canberra. Australia. |
CollectionsLyman Allyn Museum of Art. Ct.
New Britain Museum of American Art, Florence Griswold Museum, Ct, Metropolitan Museum of Art, National Gallery of Australia, The Phillips Collection, Washington D C Bathurst Regional Art Gallery, NSW Australia, New Orleans Museum of Art, San Francisco Museum of Art, New York University, Smithsonian Cooper Hewitt Museum, NewsAmerica Corp, Meyerhoff Collection, Irwin Collection, Wolfensohn Foundation, Fairchild Foundation, Levi Foundation, Westpac Bank, Australian Government, Triangle Workshop, Pfziser, Sydney University, numerous Private Collections. |
Publications2023 The Day Magazine
2022 Vogue Australia 2021 Florence Griswold Museum. Lyme. Ct. 2018 the Day 2018 Sam Quigley, Lyman Allyn Museum 2018 Essential Elements. Biography by Diana Simmonds. 2017 2016 2012, July 2nd Jaw Dropping Shark Exhibit in Fort Lauderdale. “Shark” at the Museum of Art Fort Lauderdale”, Susana Navajas, The Global Shark Conservation Initiative 2012, June 17th “Exhibits to sink your teeth into”, John Coppola, Miami Herald 2012, May SHARK, Richard Ellis, Museum of Art Fort Lauderdale 2012, April “Imagining Jaws”, Richard Ellis, Natural History Magazine 2011 Degas, Boston Globe Blog. “Artists do it Better”. 11/20/2011 2011 Nature Morte, Sebastian Smee 2009 Gaia & Global Warming. 2008, September 4th“Warm Winds Bring Tropics to FlorenceGriswoldMuseum”, Amy J. Barry,The Lyme Times 2008, August 2nd Warm Winds: Connecticut Artists in the Tropics Graham & Sons 2007“Australian artists in the United States ofAmerica”,IngridPeriz,Art & Australia 2007, July“At Home with the Olsens”, Nigel Hopkins, SA Life James 2006Lowery Stokes Sims, Judy Cotton Niagaras and Dog Days, 2005, March 22nd“Cotton print”, Diana Bagnall, The Bulletin 2005, March 20th“The Cottons”, Julie Copeland, Sunday MorningRadio National 2005, March 17th“The shape of private memories”, Sebastian Smee,The Australian 2005, March 8th“Straight to the heart of landscape and people”, RobertMcFarlane, The Sydney Morning Herald 2005, March 5th“Judy Cotton & Sir Robert Cotton”, Wagner ArtGallery 2005, March 4th“Cotton Club Celebrates twin talents”, SusanWyndham, The Sydney Morning Herald 2005“Fireworks”, Gavin Wilson 2003“Museum Madness”, Suzanne LaBranche, Legends Magazine 2003, November 13th“Down by the river at the Florence Griswold Museum”, Main Street News 2003, October“Judy Cotton”, James Graham & Sons, Art in America 2003, October 26th“The River: An Object of Beauty, and a Mode ofTransportation”, Benjamin Genocchio,The New York Times 2003, May“What’s on Elsewhere”, Art Gallery of NSW 2000, December“Canis Serialis: Recent Paintings of Judith Cotton”, Lowery Stokes Sims 2000, August“Vessels: An Interpretive Celebration of OpSail 2000”, Connecticut 1999“Improvised Images in Molted Wax, as Fluid as Jazz”, Edward M. Gomez, The New York Times 1999, July 30th“A Garden of Subject”, Holland Cotter, The New York Times 1999, June 6th“Wax as a Medium and a Message”, William Zimmer, The New York Times 1999, May“Waxing Poetic, Encaustic Art in America”, Gail Stavitsky, The Montclair Art Museum 1999, March 7th“Once-Neglected Medium Takes on New Life”, Barry Schwabsky, The New York Times 1999“Judy Cotton”, King Street Gallery, Art & Australia 1998, November“Oar d’oeuvres”, Kathi Norklum, Woodstock Times 1998, October 3rdJudith Cotton Waxed Works, The Gallery at R&F 1998, May“Galleries: Uptown”, New Yorker 1998, March 27th“Galleries: Uptown”, The New York Times 1997, November 25th “International artistic espionage”, Maria Prerauer, The Bulletin 1995“Ned Kelly”, Deborah Jones 1995, October 5thJudith Cotton: New Paintings, James Graham & Sons 1994“Friends In Deed”, Brook Turner, The Australian Financial Review Magazine 1994, December 27th“Cotton Candour”, Diana Simmonds, The Bulletin 1994, May“Reviews: Judith Cotton”, Artnews 1994, February 20th“Australian artist’s career boosted by recent success”, Judith Ahern, Canberra Times 1993Text, Lowery Stokes Sims, The Metropolitan Museum of Art 1993, December“Making Waves”, JW, Vogue Australia 1993, December“Judith Cotton”, Peter Slatin, Artnews 1993, September 21stMaria Prerauer, The Bulletin 1993, September 11thThe Loneliness of the Long Distance Painter, Lowery S. Sims. 1993, August“Submarine Paintings”, Culture Australia 1993, August“The Swimmer and the Ocean theme for artist”, Australian Cultural News 1992“On painting away from home”, Helen Ashton, Oz Arts Magazine 1992, July 10th“The Distant View”, Lynette Fern, Sydney Morning Herald 1992, June 30th“Four Australian Artists Living in the U.S.A.”, Morris L. West, Wagner Art Gallery 1992, June 27thThe Australian Magazine 1991 “Tick Attack”, Andrew Rankin, The Australian Magazine 1990, November“Judy Cotton’s approach to art reflects her double life”, Anthony Browell, Vogue Australia 1989, April 4th“The case for Plywood”, John Russell, The New York Times 1988, November“Deft Steppers; Hefty Nudes”, Kate Jennings, Vogue Australia 1986“Outlook”, Rene Joseph 1986“Oz artist bites the”, Pat Dasey 1986“A Manhattan Town House’ 1986, June“the golden moment it’s the Cotton club”, Australian Vogue 1986, March 1st “An ambiguous”, Elwyn Lynn, Weekend Australian 1986, February 21st“Galleries”, John McDonald, The Sydney Morning Herald 1984“From The Nippon Club’s American Correspondent”, Lois Gifford 1984“Australia- New York”, Mary Lee Thompson, Art & Australia 1984, September “People”, Vogue Australia 1984, SeptemberVogue Australia 1984, April“Australia/New York/Japan”, Toru Mano, Gallery Report 1983, July 15th“Judy paints in the quiet” 1983 “Exhibition Commentary”, Art & Australia 1982The Sunday Johnson Report, Judy Johnson 1982, July“On Cotton”, Anne Truitt 1980, March “What’s now, what’s new”, Lee Tulloch, Vogue 1980, May 10th“The week in art”, Nancy Borlase, The Sydney Morning Herald 1978, June 12th“Judy Cotton Picks- And Paints- New York”, Don Riseborough, Woman’s Day 1973Group Exhibit catalogue, UN International Young Artists, New York 1973, June 20th“Artist Finds Her Mecca”, Adele Horin, Australian Woman’s Weekly 1972, June 11th“Collectors’ Items”, The Art Society of the International Monetary Fund 1971“Exploring line and color” 1971, October 23rd“Hayloft Display by Judy North”, Western Advocate 1970“Editorial”, Art & Australia 1970, November 17th“She says it with paint”, Judith Henderson, Canberra News 1970, November 17th“For the sake of a dream”, Nigel Murray-Harvey, Canberra Times 1970, November 17th“Weekend scene in Canberra”, Canberra Times 1970, November 16thCanberra Times 1970, November 12th “First solo show in Canberra”, The Courier 1969 “A Bird Watcher in Korea or Keep on the Grass, There’s a Bird- Watcher in the Bushes”, M.E.J. Gore, Women’s News 1969“The Birds of Korea”, M.E.J. Gore and Won, Pyong-Oh 1969“Here in Tokyo”, Jane Rees, Asahi Evening News 1969 December “The Japanese Art Scene”, Judy North, Vogue Australia 1969, December“Australian Painter”, Asahi Evening News 1969, April“People are Talking About…”, Vogue Australia 1969, March“Exhibitions by Women: Sad and Tragic and Mad”, Jennifer S. Byrd, Japan Times 1969, February 24th “Australian Painter Judy North’s Work to be Shown”, Mainichi Daily News 1969, February 20th“Judy North to Open Show Here”, Asahi Evening News 1969, FebruaryKyoiku Gakujutsu News 1968 “Painting Exhibit”, Korea Herald 1968 “The Shifting Reality”, Yuki Revelle, Korea Times 1968 “Two Man Show opens the 1968 gallery season” 1968 “Canberra artists’ show”, The Canberra Times 1968 Roslyn Parkinson, Exhibition at Theatre Centre Gallery 1968, DecemberDonga Ilbo 1968, DecemberDonga Ilbo 1968, March Art & Australia 1968, March "A Vernissage in Canberra", Vogue’s Notebook 1968, February 13th John Coburn, Canberra Technical College 1968, February“Modern in the best sense”, Frank Keane, The Canberra Times 1968, February“Judy’s Print Makes it to Paris”, News for Women 1967, November 30th L.S. Churchland, Canberra Technical College 1967, August 2nd“New Prize Show”, Donald Brook, The Canberra Times |